In the December 2012-January 2013 issue of The Monthly Magazine, Gail Bell writes for the summer reading section, Hitting the Road, where she recounts her recent experience of being robbed in Madrid.

Paseo del Prado describes a few hours spent watching Spain’s annual Day of the Armed Forces in an atmosphere of passionate national pride.

“Viva España was barely off my lips when I looked down and saw the gaping empty vault and knew instantly the money was gone.”

In the October 2012 edition of The Monthly Magazine, Gail Bell writes about her recent experiences in the Gibson Desert of Western Australia for the special Arts Issue of the magazine.

Editor John van Tiggelen: "In 'The Logic of Water', Gail Bell visits the Martu painters of the East Pilbara and finds an art built of history, genealogy, geography and myth."

In the part shade behind a large shed where the painting supplies are kept, about 15 Martu women in floral skirts and purple beanies are bent over their work. They sit on a tarp spread over the red dirt. I take my place on the ground and try to blend in.

Gail Bell wonders what she can do for a friend who is nearing the end of her life, and finds her answer in the pages of Austen and Hopkins.

After the others had said their goodbyes, I picked up Pride and Prejudice. Jane Austen had been dragged into all kinds of strange embraces - zombies, vampires, werewolves - why not palliation?

“In the gentle rocking embrace of my window seat I lapse into a trance. My eyes feel bigger. The visual world skims by…The clickety-clack conjures up childhood and having my hand held by a parent.”

In the March 2012 issue of The Monthly Magazine, Gail Bell interviews and profiles the celebrated Australian author, Robert Dessaix.

“On the eve of the release of his new book, As I Was Saying, Dessaix reflects on the beautiful things in his life - his home in Tasmania, his travels, his writing and his loved ones - and takes solace in a newfound discovery of a single, well spent day.” John van Tiggelen, editor.

“In certain lights, his high forehead and robust white hair remind me of Beckett without the etched anger lines. The absence of visible anger in Dessaix’s face may be the result of his new “live for now” philosophy, just as it may be the genetic gift of those green eyes.”

Pub date: November 2011

RRP: $29.95

ISBN: 9781863955478

Imprint:
Black Inc.

Format: PB

Extent: 320pp

“In the Ratroom” by Gail Bell was selected for Best Australian Essays 2011, edited by Ramona Koval

‘Turn the page and hear the voices within …’—Ramona Koval

The Best Australian Essays 2011 offers up bliss and illumination in equal measure – from the pleasures of the flesh to the events that convulsed the world in a year of change. Paul Kelly meditates on Frank Sinatra, and Robert Manne excavates the past and thoughts of Julian Assange. Inga Clendinnen dreams on cricket memories, and Anna Krien delves into the saga of the St Kilda schoolgirl. There is Peter Robb on Italian food, Anthony Lane on News of the World, Gail Bell on rats and Richard Flanagan on photography. This is a collection with something for everyone that never wavers in its quality.

Contributors include: Gillian Mears, David Malouf, Nicolas Rothwell, Robert Manne, Anthony Lane, M.J. Hyland, Craig Sherborne, Anna Krien, Inga Clendinnen, Gail Bell, Helen Elliott, Morris Lurie, Maria Tumarkin, Andrew Sant, Shakira Hussein, Lian Hearn, Amanda Lohrey, Paul Kelly, Peter Robb, Clive James, Delia Falconer, Richard Flanagan and Andrew O’Hagan.

Reviews & Interviews:

Read an interview with Ramona Koval on the Black Inc. blog

Buy the ebook:

Readings

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In the November 2011 issue of The Monthly Magazine, "A Quiet Anniversary" by Gail Bell marks the thirtieth anniversary of the discovery of AIDS, "the wasting disease that went by many names". Bell reviews Australia's response in effectively "taming" the disease over 30 years - a "good news story". Ben Naparstek, editor.

"Thirty years since the disease that came to be known as AIDS was identified, there have been no fireworks, no flagpoles planted on high, previously inaccessible peaks, and, outside the busy network of HIV/AIDS organisations and clinical researchers quietly getting on with their work, there was little to tip off the wider community to this 'pearl' anniversary."

In a new essay in the October 2011 edition of The Monthly Magazine titled "Prescribing Behaviour", Gail Bell considers the rush to diagnose ADHD in children. From Ritalin to Catapres to Risperdal, a cocktail of potent drugs are regularly administered to kids for what is essentially a behavioural disorder - one likely to diminish in adulthood. Bell interviews teachers and students in special learning environments to see how the young members of the Ritalin club are faring, and whether there is a better alternative. Ben Naparstek, Editor

"There's no doubt that an out-of-control kid put on Ritalin settles very quickly. Do I wish there was another way? Yes. The reality is, as teachers we can't do our jobs when a kid is climbing the walls."

A new essay in the July 2011 edition of The Monthly Magazine, “IN THE RAT ROOM”, sees Gail Bell reflecting on her time as a laboratory assistant between 1969 and 1971. Bell catalogues the "ruthlessly eugenic" practices that were uncontested in the scientific world at the time, and explores the philosophical assumptions behind the treatment of animals in testing environments. Bell confronts us with realities about the animal experience that are particularly poignant given recent animal cruelty revelations.  Ben Naparstek, Editor

"It never occurred to me that rats might like classical music, just as it never occurred to me that they might appreciate having their lives enriched by toys or games. These guys were headed for the scalpel if they were lucky, and the torture chamber of drugs or electrodes if they weren't."

In the April 2011 edition of The Monthly Magazine, Gail Bell takes issue with a workplace bully in "Inside the Pillbox". The pain of watching a fellow worker succumb to the bully's bag of dirty tricks prompts Gail to intervene with management, only to find herself fobbed off with meaningless promises. As she works through the recommended published approaches to dealing with workplace terrorism---and finds them wanting---she ends up facing "certain miserable truths: bullying, like envy and greed and other sins I can think of, doesn't ever really go away".

Awake at 3am, Gail entertains revenge scenarios. She turns away from the "anti-bullying departmental manuals" and opens up Robert Browning's poem The Laboratory, deriving a perverse pleasure from the courtesan's question: "which is the poison to poison her, prithee?"

In the September 2010 edition of The Monthly Magazine, Gail Bell writes movingly about the day her mother-in-law has to leave her home of sixty years, in a piece called "Taking Care". Faced with choosing what to take with her to the nursing home, she is lost for words. "If she gives it all away, what's left of her life? What do all the treasures she's polished  and guarded, the furniture passed down from her own parents, the souvenirs from her travels really mean?". The family gathers to help her pack, but end up feeling like "cat burglars" ransacking the house. The nursing home is a grim parody of the welcoming home she created for her family. Now she will live in a single room. Beyond her door is "an alien world of shuffling folk and time-starved staff." Bell tries to imagine how this home-loving woman will manage the painful transition to "care".

In the July 2010 edition of The Monthly Magazine, Gail Bell writes a very personal reflection on her four months of illness, in a piece called "Heart to Heart". When her sister (a crisis counsellor) visits, she tells her story again. "I'm so sick of trying to make sense of it, I skim across the top, only breaking the surface in shallow strikes. Three different ambulances, a cardiologist, intrusive tests, drugs that made my ears thump, pain that pinned me to the bed." Still traumatised by the hospital's misdiagnosis, Gail appeals for credible, therapeutic answers when her sister, in a surprise move, suggests a psychic alternative.

In the May 2010 edition of The Monthly Magazine, Gail Bell reflects upon 40 years of the methadone program in Australia, in a piece called "Liquid Handcuffs". Tracing the history of the program's operation from its inception in a small clinic in western Sydney in 1970, Bell also charts the changing public and medical perceptions of the treatment of addicts since the early abstinence-based models.

“Methadone changed the way addicts stepped down off the heroin express. Instead of a stopover in a transit lounge, the travellers changed platforms for a parallel line with quieter, more comfortable carriages. The introduction of a long acting synthetic opioid, given once daily under supervision, addressed the toughest challenge to quitting, the intolerable doof doof of unsatisfied hunger.”

In the March 2010 issue of The Monthly Magazine Gail Bell considers the “strange transaction” entered into when people (like herself) visit the homes of dead authors.

Ghost Writers looks at Virginia Woolf’s admonition: “I do not know whether pilgrimages to the shrines of famous men ought not to be condemned as sentimental journeys” and asks if literary voyeurism is an act of trespass or a valid expression of our need to connect.

“…erudite, provocative and entertaining.” Ben Naparstek, editor. 

In the November 2009 issue of The Monthly Magazine, Gail Bell recollects a case history from 20 years ago. Writing for The Nation Reviewed she tells of her encounter with Felix, the man with the Golden Eye.
Small gold flakes, like glitter, float downwards from somewhere—it’s hard to describe—settling on whatever I look at.
Does Felix have a strange medical condition or are his visions a gift?

Gail “reflects on the mystery and fleeting joy” of this unusual phenomenon. (Ben Naparstek, editor)

In the August 2009 edition of The Monthly Magazine, Gail Bell writes for The Nation Reviewed in light of the recent death of Michael Jackson. Croakers considers the uses and abuses of narcotics and anaesthetics as aids to the often insatiable desire for oblivion.

“If claims about Jackson’s use of this drug [Diprivan] are true, then it would seem in his case that an ethical boundary line has been crossed; one that has implications for our interpretation of the words ‘acceptable medical practice’.

Medical practitioners who willingly prescribe for the stars are often blinded by the light of fame and money, while in the parallel universe of the street an addict has to work hard to be seen at all. “William S Burroughs called these narcotic-prescription-writing doctors croakers”.

In the April 2009 edition of The Monthly Magazine, Gail Bell investigates matters of life and death in a new essay, "Endnotes". Drawing on her work as a pharmacist and her personal experiences, she offers an affecting and beautifully crafted meditation on the choices we make, and those we avoid, about ending our lives.

"Lena showed me her workshop notes. One sheet, 'Preparations for Life's Final Journey', asked for ten or so lines on the theme If I had six months to live, I would ... Followed by: If I had my life over, I would ... To me, these are unbearably sad subjects. I couldn't write a word if the exercises were given to me. I am not ready. For Lena, they are projects, goals, steps on the path ... She knows that she is not tired of life. Nor is she depressed. If anything, she's a pragmatist who has lived long enough to know that all good things must come to an end."

Editor of The Monthly, Sally Warhaft writes: "I think it is the best thing you've written for us. It's a very moving, informative and brave piece, beautifully written, and I know our readers will love it."

In the October 2008 edition of The Monthly Magazine, Gail writes for The Nation Reviewed. Macbeth on Monday is a fond recollection of her fifteen years as part of a group that met weekly to read aloud from Shakespeare. As the group's founder becomes ill and the meetings wind down, Gail contemplates what she is losing: a dear friend of long standing and the unique gift of regular excursions into the vital and precise language of Shakespeare's plays-- in particular the tragedy of Macbeth.

In the April 2008 edition of The Monthly Magazine, Gail Bell explores the legal trade in cold and flu tablets which is being exploited by criminal gangs who convert pseudoephedrine into the highly lucrative street drug, methamphetamine.

Chris Feik, editor at Black Inc who publish The Monthly and The Quarterly Essay, describes the essay "Running Dogs" as “intelligent reportage, stylishly written”.

Read an excerpt of the essay here and listen to Gail’s interview with Richard Aedy on Life Matters.